Real magic can never be made by offering up someone else’s liver. You must tear out your own, and not expect to get it back. The true witches know that.
Witchcraft is the recourse of the dispossessed, the powerless, the hungry and the abused. It gives heart and tongue to stones and trees. It wears the rough skin of beasts. It turns on a civilization that knows the price of everything and the value of nothing.
…the last thing you wanted a witch to do was get bored and start making her own amusements, because witches sometimes had famously erratic ideas about what was amusing.
The laws of courtesy are so inconvenient: do not set fire to this chevalier, do not encase that baroness in a block of ice… How are we supposed to get through the day?
When we write witches into our stories, that is what we’re writing about: power. When we write witches, we are writing about our expectations of women, and what we hope—and fear—they would do if they had access to power. Fictional witches act as ciphers that help us understand something that seems at once mysterious and brilliant and sinister: a woman’s ultimate, unlimited potential… realized.
Hear what Valerius said to Rufinus: You do not know that woman is the Chimaera, but it is good that you should know it; for that monster was of three forms; its face was that of a radiant and noble lion, it had the filthy belly of a goat, and it was armed with the virulent tail of a viper. And he means that a woman is beautiful to look upon, contaminating to the touch, and deadly to keep.
The archetype of the witch is long overdue for celebration. Daughters, mothers, queens, virgins, wives, et al. derive meaning from their relation to another person. Witches, on the other hand, have power on their own terms. They have agency. They create. They praise. They commune with nature/ Spirit/God/dess/Choose-your-own-semantics, freely, and free of any mediator. But most importantly: they make things happen. The best definition of magic I’ve been able to come up with is “symbolic action with intent” — “action" being the operative word. Witches are midwives to metamorphosis. They are magical women, and they, quite literally, change the world.
In an alternative universe, you teach me love isn’t supposed to hurt (“it should feel like drifting downstream with the angels singing something holy and divine.”) I learn the meaning of the word crave. For the first time, someone’s fingerprints don’t cause any damage.
Jessica Therese, I do not need another metaphor for burning
But to be furious, murderously furious, is to be alive. No longer young, no longer pretty, no longer loved, or sweet, or loveable, unmasked, writhing on the ground for all to see in my utter ingloriousness… there’s no telling what I might do.
It does me no good; violence has changed me. My body has grown cold like the stripped fields; now there is only my mind, cautious and wary, with the sense it is being tested.
words;
no subject
Laini Taylor, Lips Touch: Three Times
no subject
Margaret Atwood, The Blind Assassin
no subject
The Last Unicorn, Peter S. Beagle
no subject
W.B. Yeats
no subject
Peter Grey, Apocalyptic Witchcraft
no subject
Terry Pratchett, Legends 1
no subject
Morrigan, The Last Court
no subject
Sarah Gailey, Why We Write About Witches
no subject
Heinrich Kramer, Malleus Maleficarum
no subject
Charles, G. Leland, Aradia, Gospel of the Witches
no subject
Terry Pratchett, Wintersmith
no subject
Terry Pratchett, Wintersmith
no subject
Pamela J. Grossman, The Year of the Witch
no subject
William Shakespeare, The Winter's Tale
no subject
William Shakespeare, Henry V
Leliana/Morrigan;
no subject
me love isn’t supposed to hurt (“it should feel like
drifting downstream with the angels singing
something holy and divine.”)
I learn the meaning of the word crave.
For the first time, someone’s fingerprints
don’t cause any damage.
Jessica Therese, I do not need another metaphor for burning
no subject
Claire Messud, The Woman Upstairs
no subject
so long, but it is my knife, and my heart, too
Richard Jackson, Basic Algebra
no subject
My body has grown cold like the stripped fields;
now there is only my mind, cautious and wary,
with the sense it is being tested.
Louise Glück, October
no subject
Emma Forrest, Your Voice in My Head
no subject
Katie Alender, As Dead as It Gets